Considering the few studies published during the 1980s and 1990s, Diane Railton and Paul Watson lament the previous critics’ submission of music videos into other paradigms such as theories of the postmodern, cultural politics of race and gender or into analyses of specific performers such as Madonna. Music Video and the Politics of Representation furnishes a detailed and sustained consideration of music video, a widely circulated and extremely popular form of art that has been almost ignored in academic and critical debate of the past decades. Edinburgh: Edinburgh University Press, 2011 (176 pages). Music Video and the Politics of Representation, Diane Railton and Paul Watson.
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